Welcome

and thanks for playing the game

In a series of questions disguised as first-person statements, I will try to guide you towards a selection of works of mine which you might enjoy.

With each answer you give, the number of available pieces will become smaller. Feel free to click a thumbnail and explore a piece at any time.

Enjoy!

I’d prefer something
- public
- private
- Back
- I don't care
- Start again
I’d prefer something
- narrative
- linear
- nearly static
- Back
- I don't care
- Start again
I’d like to
- not have to read
- not have to watch
- read or watch or whatever
- Back
- I don't care
- Start again
I’d like something
- dramatic
- tranquil
- Back
- I don't care
- Start again
I’d like something that isn’t
- too serious
- too playful
- Back
- I don't care
- Start again
I’d prefer
- thinking more
- perceiving and focusing more
- Back
- I don't care
- Start again
I’d like something
- quiet
- not so quiet
- of any volume
- Back
- I don't care
- Start again
I speak
- Czech and English
- English
- Back
- I don't care
- Start again
I enjoy
- being confronted with a lot of stuff in a short time period.
- materials mostly staying the same.
- Back
- I don't care
- Start again
I’d prefer something
- with words
- without words
- Back
- I don't care
- Start again
I’d prefer to see
- people
- things
- words
- Back
- I don't care
- Start again
I’d like something that sounds
- like what I’ve heard before
- different
- Back
- I don't care
- Start again
The sound of a classically trained singing voice
- repulses me physically
- is something I can enjoy
- is OK if it‘s not Wagner
- Back
- I don't care
- Start again
I‘d prefer something
- with singing
- without singing
- Back
- I don't care
- Start again
I don’t like sounds that are
- too harsh and rough
- too pretty and nice
- I like all sounds
- Back
- I don't care
- Start again

Montage
Improvisation with Bobby Barry
Cessations
Papír a čas
Breath; Dying
Hemiplegia for Singer, Two Narrators and Ensemble
One Steps Forward, Two Steps Back
A House for Hanne Darboven
Romanzas Cortas en Una Lengua Privada
linear harmonic progression (impressonism)
this piece is to be played three times; softly
Corrugations
Namaran
Gestures — Stases
To Be Framed
Conferences
Settings; Stillness (On Romantic Style)
Currents/Points
Eternagy (Stratocluster album)
road patterns in decay
fading at unequal rates
Hanzelkazikmund (Zde jsou lvi)
Seeing not something, but rather with something, according to something
Constructions in Snowfall; Crystals
bass; rhythm; texture; light; materials
Metamorphoses for Two Clarinets
Proslov k národu
Waves
Strands
Improvisation with Petr Vrba
The Analyses
through a wheat field; to a pond
Ticho po pěšině
Élévation
fading into
Lyrical Situation
on properties of observation
G40 – Vznik
Opěrné body III. / Support Points III. / 2016
A Succession of Several Sounds and Silences
Three Snows for Four
Improvisation with Ábel Fazekas
Manuscript
between mists (brushstrokes)
Recrudescences
Nehybnost (Malostranská ticha)
Interstices
Marat/Sade
The Signature of Certain Things
300' writing
Powerless Source of All Power
Staging the Plants (Prologue)
In which things are neither the same nor different
Three Oddly-Shaped Pieces of Tinder for Laurence Crane
Shan shui
malé věci v krajině
Piece no. 2 – Banalita
Stratocluster live at vs. Interpretation Festival
Improvisation with Veronika Svobodová
In Praise of Dialectics
Spaces, Drones, and Melodies
All Ending
Ředění soust
Forgetting Ravel
Persona Forte
a fence in Bath
Básně/studie
Catastrophe
ZE TMY DO TMY REAL TIME FULL TIME TOTÁL MORÁL UNIVERZÁL SYMPHONY
Places and People
Slyšet ne něco, ale spíše podle něčeho, s něčím
Coincidences – six pieces for Jiří Matějů
Press Paradox
In
So Bury Me
Vzlety a dozvuky // Leaps and Landings
Strings, Water, Leaves, Air